It’s a Saturday evening in early July, and I’m walking along Gwich’in Road in the town of Inuvik, Northwest Territories, towards Cynthia’s Bed and Breakfast, where I’m staying to attend the 2026 Great Northern Arts Festival. The dusty road, lined with stalks of bright pink fireweed and vetch tangled together, is empty of vehicles. It’s after 10 p.m., and broad daylight, the effect of Inuvik’s proximity to the Arctic Circle, and silent except for the scrunch of my runners.
As I let myself into Cynthia’s place – people don’t lock their doors here – I notice the white board in the vestibule where guests can learn each other’s names:

A delicious sense of “mine, all mine” settles over me as I realize I’m the only guest this evening. Cynthia and her husband Kurt, the Inuvialuit owners of the house, don’t seem to be around either so the quiet follows me into my bedroom for the night.
Before I left Edmonton to attend the festival, friends and family looked and sounded a bit quizzical when I said I was going on yet another solo journey to Canada’s North. This is my fourth trip “up here,” which has included two visits to Yukon, including Whitehorse and Dawson City; Tsiigehtchic, NWT, a small Gwich’in community, where I interviewed artist Margaret Nazon for a Walrus article about her cosmic beading; and now Inuvik. One of my journeys took me to the Yukon Quest Dog Race in February, when most people were travelling to tropical destinations. I’d never thought much about why I was attracted to the North: it always just seemed like a cool (pardon the pun) and unusual place for an adventure. But on this trip to Inuvik, it hit me. In a word – community.
Ever since the pandemic, I’ve noticed more and more incidents of “Me first” where I live and throughout North America. Yes, ours is an individualistic society, but the incidents I’m talking about are characterized by its most extreme manifestation – selfishness and self-entitlement. When I talk to my friend in Japan, who is used to living in a collectivist culture, she’s bewildered by the actions of people who care little, if at all, about the health, safety, rights, and well-being of those around them. I’m always at a loss to explain to her the self-centred behavior of some people in North America.
In Canada’s North, especially its smaller communities, people have a long tradition of working together, dating back to times when their survival and health depended on it. Try saying “Me first” in a hunting/fishing/trapping community in the middle of an Arctic winter and see how long you last. As the result of colonization and globalization, some community spirit has disappeared, but on my travels to the North, I’ve found that many residents still look out for each other and find joy in mutual help and support, which often extends to me as a visitor.
So, if you’d enjoy a place where the warmth of community still flourishes, try visiting Inuvik during the Great Northern Arts Festival, and dip your travel toes into the following experiences.

I’ve always loved staying at a hosted bed and breakfast when I travel on my own. Compared to the sterility and isolation of a hotel, B and B hosts are hospitable and happy to provide advice and recommendations about their community. Cynthia also cooked full breakfasts that had me saying, “Oh, I really shouldn’t eat all that” (eggs, sausages, pancakes, toast, potatoes and, on my final morning there, Eggs Benedict) before I wolfed down everything on the plate. I met all kinds of other travellers: two German environmental researchers; seven people who had just rafted down the Firth River; a retired Air Canada pilot and his flight attendant wife, who were revisiting Tuktoyaktuk with photos to reconnect with the people who had posed for them more than thirty years ago.
The Great Northern Arts Festival
The little festival that could has been running in Inuvik most years since 1989. Visual artists, singers, dancers, song writers and spoken word performers gather from across the North, southern Canada and this year, New Zealand, to show off their talents. I participated in three artist-led workshops, volunteered a few shifts to help out, attended concerts, performances, spoken word events and a fashion show. BTW, if you have deep pockets, the Festival would probably appreciate a donation. These types of events are expensive to organize and run, and grants for the arts are increasingly scarce and competitive, putting the Festival at risk of disappearing.




When I visit a new-to-me community, I often think about what activities I’d participate in if I lived there. The Inuvik Community Greenhouse has been in operation for 20+ years, growing produce and flowers to sell to the community, and offering residents the opportunity to tend their own garden plots. It also provides a venue for community activities and teaches people about gardening.




Let’s Eat!
Sharing food provides a delicious opportunity to build community. I’ve already told you about the breakfasts at Cynthia’s, which were accompanied by conversation with my fellow residents, but I was well fed at the Festival as well because artists and volunteers were provided with all their meals for free. Inuvik doesn’t have many restaurants and their food is relatively expensive, so I estimate the Festival-provided food saved me several hundred dollars. We enjoyed traditional foods like lake trout, bannock and Eskimo doughnuts (don’t clutch your politically correct pearls here at the mention of “Eskimo”: the locals use this term to describe their very popular, deep-fried bannock with multiple holes.) The catering company also brought in turkey dinners, spaghetti and meat sauce, grilled cheese sandwiches and tomato soup, and homemade fruit pies, which had us all lining up for extra helpings. One of the professional soapstone carvers brought in muktuk (whale blubber) for festival goers to sample when his brother harpooned a 12′ 9″ Beluga whale. On a bus trip to Tuktoyaktuk, my fellow travellers and I, all associated with the Festival, visited a Gwich’in woman in her home for lunch, which featured reindeer soup, dried fish, and bannock with homemade cranberry jam. The Festival also hosted two community feasts, where everyone in Inuvik was invited to a hamburger and hot dog BBQ, and a turkey and ham dinner.


Everyone is welcome here
Before I landed in Inuvik, I knew relatively little about this town of 3000 in Canada’s Western Arctic. Yes, I realized that Canada’s Inuvialuit and Gwich’in First Nation people called it home, but I wasn’t aware that the Metis are also well-represented. When I shopped at the weekend Arctic Market at the town’s recreation centre, I discovered a diverse immigrant community doing brisk business serving food from their homelands. I talked to two women from North Sudan, and a family who’d immigrated from Nigeria, whose daughter I recognized from the opening ceremony when the Inuvialuit Drummers and Dancers invited audience members to dance with them. Inuvik is home to the Midnight Sun mosque, which bills itself as “non-denominational” and “warmly invites individuals, organizations, and allies committed to community wellbeing to collaborate with us in shaping a brighter future.”
It wasn’t just the mix of cultures that impressed me. Elders are well-respected, and their wisdom guides the younger generation. The woman who oversees a local youth jigging group not only taught high school students to dance, but also whipped up a pair of moccasins overnight for a young man who didn’t have any and wanted to jig the next day at the Arctic Winter Games in Whitehorse. The Inuvialuit Drummers and Dancers includes all ages: the 6-year-old daughter of one of the male dancers was celebrating her birthday the night I saw them perform, and had chosen dancing with the group over a birthday party. Even Canadian North Airlines shows its respect, inviting “elders and families travelling with small children” to board first.





Good one!
During the opening ceremony of the Festival, the NWT’s commissioner welcomed us all to Inuvik, encouraging us to see the mosquitoes as a “gift.” Did I detect an inner eye roll from some members of the audience who were already scratching their bites? “So, for those of you with campers,” he continued,” please open the doors wide and take a bunch home with you!”
Enjoying a laugh with others connects – and sometimes corrects – people no matter their age or ethnicity. A young male volunteer at the Festival asked an older Inuvialuit artist if he could sit next to her at lunch, but didn’t wait for her response. As he sat down, she nailed him with a look and said, “Five bucks.” A young woman at the table in Tuktoyaktuk where a Gwich’in woman served us lunch in her home, refused seconds of the main meal, saying she was saving room for dessert. “What is a traditional dessert for your people?” she asked. The woman said, “Well, I’m not much of a baker. Today’s dessert is a yellow cake mix with a can of fruit cocktail stirred in.”
Some jokes need to be seen to be appreciated. There is no such institution as Tuktoyaktuk University, but say it’s shortened version a few times, and you’ll get the joke.
















































































